As part of the Nostos exhibition, in which I considered pandemic-lockdown life as experienced through windows and electronic screens, I created two discrete installations of small portraits. Both addressed the digital nature of human interactions of the period, and both loosely referenced themes from The Odyssey.
Ponos (Work) is a series of portraits of my colleagues and students, taken from screenshots of the interminable Zoom meetings enjoyed by academics and others. These were hung in grids of 16 to mimic the appearance of the computer screen.